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Please see your browser settings for this feature. EMBED for wordpress. Want more? Alexander Granach Paco as Paco. Adia Kuznetzoff Gustavo as Gustavo. Leonid Snegoff Ignacio as Ignacio. Duncan Renaldo Lt. Berrendo as Lt. Sam Wood. Dudley Nichols screen play Ernest Hemingway from the celebrated novel by Louis Bromfield contract writer uncredited.
More like this. Watch options. Storyline Edit. Spain in the s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan who has joined up on the side that appeals most to idealists of that era -- like Ernest Hemingway and his friends -- has been given a high-risk assignment up in the mountains.
He awaits the right time to blow up a bridge in a cave. Pilar, who is in charge there, has an ability to foretell the future. And so that night she encourages Maria, a young girl ravaged by enemy soldiers, to join Jordan who has decided to spend the night under the stars.
Adventure Drama History Romance War. Add content advisory. Did you know Edit. Ingrid Bergman began filming this movie immediately after completing "Casablanca".
For this role, her hair was cut short. However, since her hair had been cut, there would be a problem with continuity even if Bergman wore a wig , so the idea was dropped. In the straight-on angle, it's Cooper's shadow, but in another angle it's obvious another person was used to create the shadow. When Cooper places his hand on his chin, the shadow's move is late by a second.
Quotes Pilar : Look I am ugly. Yet one can have a feeling here [points to her heart] Pilar : that blinds a man while he loves you. Crazy credits Opening credits prologue: any mans death diminishes me, because I am involved in Mankinde: and therefore never send to know For Whom The Bell Tolls It tolls for thee. Spain, Alternate versions Original roadshow presentation ran minutes, not counting intermission.
Film was later cut to minutes for general release. This version was produced from a minute archival print, with overture and entr'acte music making up the additional 10 minutes of running time, While this restored version reinstates most of the cut footage, about 4 minutes from the original roadshow remain missing. Connections Featured in The Buccaneer User reviews 78 Review. Top review. The Bell Tolls for Republican Spain. Ernest Hemingway was most particular about how is work should be portrayed on screen.
He had hated the version of A Farewell to Arms that was done ten years earlier. What he did like was Gary Cooper's portrayal of a Hemingway hero. The novel grew out of Hemingway's experience in the Spanish Civil War that raged for almost four years. A number of generals not liking the leftist trend the new Spanish Republic was taking pulled a military coup d'etat. The whole world took sides with the Soviet Union aiding the Republic's defenders and Italy and Germany aiding the Nationalist Generals.
The USA was officially neutral, but people had their opinions. Believe it or not many supported the rebelling generals seeing them as upholding traditional Catholic Spain. But some in America organized the Abraham Lincoln Brigade, a group of volunteers who fought for the Republic. Some in there were U. Communist Party members, but a whole lot were idealists. All of them had a lot of difficulty after World War II, for shall we say being to prematurely anti-Fascist.
Gary Cooper plays just such a volunteer and he's got a mission, to blow up a key bridge in the Guadarrama mountains.
He makes contact with the guerrilla band of Akim Tamiroff and Katina Paxinou. Of course fighting with them is Ingrid Bergman, so we had some romantic interludes there which steamed up the screen.
This was quite a year for Ingrid, she did Casablanca as well that year and her name became synonymous with romance. She was not the first choice here. Director Sam Wood did not like his original leading lady Vera Zorina and replaced her with Bergman who he really wanted in the first place.
In fact Wood was a second choice. Paramount originally scheduled this film for Cecil B. I'm betting there were some creative differences between DeMille and Papa Hemingway. If this had become a DeMille type film, it would have been a disaster.
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